Well the interesting affair is that a fully carved spruce superlative would lead me to think information technology might crack or accept some other stress rather than just sinking. The sinking down in a laminate guitar I can run into because it is not a solid meridian. Nevertheless anytime the guitar like a Wes L5 has unusual stress that was it was not design to take and then pretty much anything can happen. The spare post showing on the tunomatic certainly is not normal on an L5. Also on those item guitars they more often than not were under pretty skillful quality control. They all show await approximately the same in set up. And then that whatever given Wes L5 the differences in span/saddle height should be minimal.

In the case there could be a hazard that nothing really happens to the guitar if it is changed back to the real tailpiece. Yet I suggest putting the added stress and explaining to anyone in the future, into simply getting a WesMo L5 without this problem. I dare say the Wes L5 might be the about popular jazz guitar for existent buying right now. The reason being they are going to players of all abilities and even a collector of sorts likes them, but many casual working jazz guitars like them, have them, or want i.

Finally to add 1 pocket-size point on Bigsby Tailpieces. Never put one on a carved meridian guitar of any kind. Non that they cannot handle them or that they will always be a problem, but it is just obviously stupid! Get a guitar that was design for a bigsby at the outset and of course almost jazz players detest them. Chet Atkins used ane and I love his playing but information technology his playing and sound to me, had aught to do with his Bigsby. When he played a guitar without i he sounded the aforementioned and just every bit good if not amend.

Stupid does what stupid does..........I put a Bigsby on my Wes L5